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BLT’s 2026 Season

The Haunting

Based on the ghost stories of Charles Dickens

By Hugh Janes

Directed by Joshua George Lawson

An amateur production by arrangement with Nick Hern Books

Main House

Friday 9th January to Saturday 17th January (Not Sunday 11th January)

From the literary genius himself, Charles Dickens.  An isolated gothic mansion, a chilling, spine-tingling theatrical experience for a cold January night.  Ghostly happenings, mysterious phenomena, strange and unexpected events will lead you to the edge of terror and beyond. You have been warned!!!  Don’t come if you have a nervous disposition!


The Winslow Boy

By Terence Rattigan

Directed by Kay O’Dea

An amateur production by arrangement with Concord Theatricals Ltd

Main House

Friday 6th February to Saturday 14th February (Not Sunday 8th February)

Should you pay a huge price for a principle? How do you fight back if a public body mistreats you? A timeless masterpiece is based on a true story and explores the devastating effects on the Winslow family as a result of the long fight for justice where money, promotion and romance are sacrificed in the determination to win at all costs. Drama at its very best.


Ulster American

By David Ireland

Directed by Pauline Armour and Joshua George Lawson

Licensed by arrangement with Independent Talent Group

In the Bar

Wednesday 18th February to Sunday 22nd February

Before rehearsals begin on a volatile new play set in Ulster, a director, actor, and playwright meet. Misunderstandings and revelations erupt, and the evening spirals into fierce dialogue, black humour, and brutal violence. You’ll laugh, then wonder if you should have laughed aloud at all. Not for the faint-hearted audience members attending live.


A Mirror

By Sam Holcroft

Directed by Paul Ackroyd

An amateur production by arrangement with Nick Hern Books

Main House

Friday 6th March to Saturday 14th March (not Sunday 8th March)

Can you trust anything in this slippery new drama? Its posters boldly declare: “This play is a lie.” Twists and turns abound in a riveting theatrical journey layered with deception. The audience colludes in a forbidden production, warned to watch for secret police and pretend it’s a wedding. A deliciously unpredictable tale of storytelling and censorship.


Chalk Jungle

A Youth Theatre Production

Directed by Pauline Armour, Jessica Ann Jenner and Robert O’Neill

Main House

Thursday 19th March to Sunday 22nd March

At the centre of a refugee camp, a group of displaced young people and a well-meaning volunteer retell Brecht’s The Caucasian Chalk Circle — but as stories blur with lived experience, theatre becomes survival. Immersive, powerful and deeply human, Chalk Jungle is the award-winning youth theatre’s bold exploration of hope, belonging and the politics of storytelling.


Relatively Speaking

By Alan Ayckbourn

Directed by Colleen Batson

An amateur production by arrangement with Concord Theatricals Ltd

Main House

Friday 10th April to Saturday 18th April (not Sunday 12th April)

This production will also be performed at Hever Castle, Edenbridge, Kent, on the 23rd and 24th May 2026.  

Relatively  Speaking established Ayckbourn as a writer of ingenious farcical comedy, with an ear for dialogue, a penchant for complex situations, misunderstandings and intriguing plots. Expect a masterful yarn of mistaken identity leading to comic chaos. The dialogue crackles and sparkles providing us with prolonged moments of pure joy and sublime hilarity.


The Last Return

By Sonya Kelly

Directed by Kevin Knauer

Licensed by arrangement with Curtis Brown

In the Bar

Wednesday 22nd April to Sunday 26th April

Five people queue for a ticket to the hottest show in town. One final night. One last chance. All they must do is wait in line. But what in life is ever simple? Who will triumph, who will fail, and who will walk away with… The Last Return? Sonya Kelly’s new play is a thrilling comedy about conflict, peace, and the pursuit of territory at any cost.


The Son

By Florian Zeller

Directed by Hilary Cordery

An amateur production by arrangement with Concord Theatricals Ltd

Main House

Friday 8th May to Saturday 16th May (not Sunday 10th May)

An estranged couple clash over their son, who hasn’t attended school in months. At his mother’s wits’ end, he moves in with his father, stepmother, and their baby. This taut, emotional drama explores a young man’s depression and his parents’ desperate struggle to help him. Florian Zeller delivers a deeply moving, resonant story about love, loss, and understanding.


Next Lesson

By Chris Woodley

Directed by Allan Osborne

Licensed by arrangement with The Agency

In the Bar

Wednesday 20th May to Sunday 24th May

In 1988, 14-year-old Michael comes out as gay. Years later, he returns to teach at the same school. Section 28 looms in the background—a law that banned schools from ‘promoting homosexuality’ and sparked fierce national debate among teachers, parents, and politicians. Chris Woodley, educated in Bromley, is thrilled his play is part of the BLT 2026 programme.


The Unfriend

By Steven Moffat

Directed by Paul Campion

An amateur production by arrangement with Nick Hern Books

Main House

Friday 5th June to Saturday 13th June (not Sunday 7th June)

An uproarious comedy of English embarrassment delivers outrageous fun with meticulous bourgeois manners and spiralling hysteria. Echoing the darker tones of Ayckbourn, it blends sitcom-style confrontations with physical comedy, sharp dialogue, and a richly engaging family dynamic. Expect chaos, charm, and plenty of laughs throughout.


Switzerland

By Joanna Murray Smith

Directed by Jane Lobb

An amateur production by arrangement with Nick Hern Books

In the Bar

Wednesday 17th June to Sunday 21st June

A gripping psychological thriller featuring Patricia Highsmith, legendary creator of the Tom Ripley novels. Now a recluse in Switzerland, she’s visited by a mysterious young man urging her to write one last Ripley tale. As they begin plotting, a tense game of cat and mouse unfolds, keeping the audience guessing until the final moment.


The Watsons

By Laura Wade

Directed by Mike Darbon

An amateur production by arrangement with Concord Theatricals Ltd

Main House

Friday 3rd July to Saturday 11th July (not Sunday 5th July)

Playful, clever, inventive and very funny, Wade adapts Austen’s unfinished 1804 story into a deliciously surprising theatrical treat. Expect balls, maiden aunts, intense clergymen, pompous aristocrats, and young ladies seeking husbands—but with a witty twist that delivers more than expected. Austen fans and sceptics alike will be charmed.


Apologia

By Alexi Kaye-Campbell

Directed by Joshua George Lawson

An amateur production by arrangement with Nick Hern Books

Main House

Friday 11th September to Saturday 19th September (not Sunday 13th September)

A witty, topical play about generations, secrets, and clashing views. The disastrous dinner party is a classic British theatre trope. A birthday should be joyful, but family tensions simmer, erupt, and spiral into chaos. From the start, it’s clear: this will be an evening from hell. Brace yourself for revelations, conflict, and emotional wreckage.


How to Date a Feminist

By Samantha Ellis

Directed by Karen O’Neill

An amateur production by arrangement with Nick Hern Books

In the Bar

Wednesday 23rd September to Sunday 27th September

Laugh out loud funny – a romantic comedy turned upside down: it’s the man who’s the feminist! Meet Steve, son of a Greenham Common activist, who proposes to Kate with a lengthy apology for the patriarchy. On their first date, he asks to kiss her collarbone, citing ‘explicit verbal consent’. Unfortunately, Kate prefers lipstick, cupcakes, and Heathcliff!


The Vortex

By Noel Coward

Directed by Matt Gould

An amateur production by arrangement with Concord Theatricals Ltd

Main House

Friday 9th October to Saturday 17th October (not Sunday 11th October)

Coward’s dark comedy still speaks bluntly, just as it did in 1924. In today’s social media age, its relevance is sharper than ever. We strive to look perfect, be perfect, and broadcast it. Beneath the glossy, witty, quick-fire dialogue lies a haunting void—a vortex of self-image, illusion, and desperate performance. A century on, it still stings.


Till the Stars Come Down

By Beth Steel

Directed by Pauline Armour

An amateur production by arrangement with Nick Hern Books

Main House

Friday 6th November to Saturday 14th November (not Sunday 8th November)

Everyone loves a wedding… It’s Sylvia and Marek’s wedding and you are all invited. Over the course of a hot summer’s day, a family gathers to welcome a newcomer into their midst. A passionate, heartbreaking and hilarious portrayal of a larger-than-life family struggling to come to terms with a changing world – fast-paced, heady, hilarious and emotional.


Antigone

By Sophocles, adapted by Don Taylor

Directed by Rose Loakes

Licensed by arrangement with Stein Plays

In the Bar

Wednesday 18th November to Sunday 22nd November

King Creon, desperate to restore order in a city torn by civil war, refuses to bury Antigone’s brother, branding him a traitor. Antigone defies the decree, honouring her brother and moral duty over law. Creon’s retaliation risks divine punishment. The play explores power, politics, justice, and humanity in a script charged with tragic emotional force.


Blackadder (what again?)

Directed by Tony Jenner

Main House

Friday 4th December to Saturday 12th December (not Sunday 6th December)

After a sell out production in December 2023 followed by performances at Hever Castle in 2024, Blackadder is back to complete Series 2 set in the Tudor age. Have fun with your favourite characters: Edmund Blackadder, Baldrick, Lord Percy, Queenie, Lord Melchett, Nursie, and many many more!!! (Oh, and a rude vegetable!) Book early to avoid disappointment.


Bromley Little Theatre
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